Review: 360 ALLSTARS Dazzles at Peacock Theatre

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A high energy celebration of spin, skill and spectacle

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Returning to London with their trademark energy and astonishing athleticism, Onyx Productions’s 360 ALL STARS continues to prove why it has remained a global success for more than a decade. This urban circus spectacle brings together world class performers from across a range of disciplines, celebrating movement, rhythm and the endless possibilities of rotation.

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Under the guidance of founder, Creative Director, drummer and MC Gene Peterson, the production once again assembles an impressive international cast of elite artists and athletes. This latest incarnation feels brighter and more polished than ever, with the addition of MC and Vocalist Mirrah Fay-Parker providing live vocals, beatboxing and sound looping throughout the performance. Their contribution creates a raw and immediate soundtrack that drives the action forward and gives the show a distinctive live concert atmosphere.

Each performer is given an opportunity to showcase their remarkable skills. Australian breakdancing champion B-Boy Sette (Petter Sette) and award winning New Zealand’s B-Boy Leerok (Jared Graham) bring charisma, precision and fierce competitive spirit to the stage. Hungarian BMX champion Peter Sore delivers gravity defying stunts that repeatedly leave the audience gasping, while Japanese basketball freestyle world champion Pafo (Jun Hasegawa) transforms a simple basketball into an extension of his own body through a mesmerising display of control and dexterity. Representing the United Kingdom, acrobat and Cyr wheel specialist Josh Curtis demonstrates both technical mastery and artistic expression in some of the evening’s most visually captivating sequences.

One of the show’s enduring highlights remains the breakdance battle sequence, cleverly framed through the lens of a classic arcade fighting game. Its playful nostalgia and infectious energy continue to delight audiences while showcasing the extraordinary talent of the performers. Throughout the production, the recurring theme of circular motion unites the various disciplines, creating a cohesive celebration of balance, rhythm, momentum and human capability.

The highlight of the show is Gene Peterson's epic drum statement solo which packs a supreme punch and Josh Curtis' Cyr wheel performance, which is powerful, playful and nothing short of sublime.

A newly introduced Cyr wheel section brings a welcome sense of experimentation and innovation. The layered exploration of the apparatus offers some fresh visual ideas and demonstrates the company’s willingness to evolve. While the overall structure of the show remains largely unchanged, it is difficult to criticise a format that continues to engage audiences so effectively. There is perhaps room for further development in future iterations, but the clarity and accessibility of the current structure remain part of its appeal.

The finale draws the company together around the Cyr wheel positioned at centre stage, creating an image of collective energy and connection. The circular motifs that have run throughout the evening culminate in a satisfying conclusion that emphasises teamwork as much as individual achievement.

The production’s one significant drawback is its volume level. While the powerful created sound undoubtedly contributes to the show’s atmosphere, there are moments particularly on the mic when the sound becomes uncomfortably loud. Given the large number of children and families in attendance, the volume would benefit from careful reconsideration. It is a genuine shame, as it distracts from the exceptional performances taking place on stage and risks overwhelming the very artistry that audiences have come to witness.

360 ALL STARS remains an exhilarating showcase of skill, creativity and physical excellence. Combining culture, circus arts, music and break dancing, it delivers a thrilling evening of entertainment that celebrates the remarkable things the human body can achieve.

360 All Stars runs at Sadler's Wells until 6 June

Main Photo Credit: Darren Thomas

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_Originally reported by [BroadwayWorld](https://www.broadwayworld.com/westend/article/Review-360-ALLSTARS-Peacock-Theatre-20260603)._