Journeys Festival International Brings Nine Days of Global Majority Art to Leicester

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Festival highlights include Pigeon Tower by Peyvand Sadeghian and Have Your Passport Ready by Khaled and Mohammad Aljawad.

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From opera and poetry to roller skating, dance, creative play and community-made installations, Journeys Festival International 2026 is the festival's biggest Leicester programme yet. The event will run 17 - 25 October 2026 at Leicester City Centre.

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Paul Steele, Creative Director at Art Reach, says: 'We don't expect art to have all the answers, but we do believe it can create opportunities to see the world from a different perspective. If people leave feeling a little more connected, a little more curious, or with a new understanding of someone else's experience, then we've achieved what we set out to do.'

This year's theme of community builds on what Journeys Festival International has always stood for: championing Global Majority artists, platforming the voices of people with refugee and asylum-seeking experience, and celebrating the diverse cultures, identities and journeys that shape our communities.

This year's programme brings these ideas to life across Leicester, with artists and communities coming together to share their own stories and experiences through art. From intimate encounters to large-scale installations, the festival creates opportunities to listen, connect and see the world from a different perspective.

Pigeon Tower by Peyvand Sadeghian, a multi-sensory art installation at LCB Depot's gallery, invites audiences to listen to recordings created with Leicester community groups, including Femina and the Red Cross. Inspired by the centuries-old Kabootar-Khaneh (pigeon towers) of Isfahan, Iran, the installation explores the sounds, memories and fragments of home that people carry with them. Peyvand said of her piece: 'When I asked communities in Leicester what sounds they carry as a piece of home, the same themes came up whether from Connecticut or Kandahar: a river they grew up beside, a wind you're sure only blows in one place and sounds like no other, TV theme tunes and radio jingles, native tongues their children repeat back slightly differently. The tower replays those fragments the way memory does, looping, layering and drifting into something still recognisable but no longer ordinary.'

At Leicester Cathedral, The Balloon Garden by Maureen Uzoh will grow throughout the festival as audiences contribute anonymous messages that will be attached to balloon sculptures floating above a vibrant garden created with local community groups. Together, these contributions will form a collective portrait of Leicester and the people who call it home.

Audiences can also step into experiences that challenge assumptions and offer a different perspective. At Curve, Have Your Passport Ready brings the original film-meets-video-game experience into the real world, placing audiences directly inside the UK's hostile environment as they navigate an unfamiliar city and attempt to prove their right to remain. Created by Syrian brothers Khaled and Mohammad Aljawad, the work draws on lived experience to explore the realities behind the headlines. It forms part of a Stand and Be Counted Theatre double bill alongside F.E.A.R. (False Evidence Appearing Real), a new work-in-progress play exploring collective trauma.

Rosie McPherson the Artistic Director and joint CEO of Stand and Be Counted Theatre who produced Have Your Passport Ready, said: 'For British audiences, we hope this piece is a tool for better understanding. We know the arts is such a powerful way to build community and support for a shared mission, and we know so many people here want to know what they can do to help those who face the unknown in a new country.'

Skating onto the stage at Curve, is award-winning choreographer Jennifer Irons bringing Bad Immigrant, a chaotic roller-disco combining German techno, absurd humour and roller skates to explore colonialism, identity and belonging. The performance supports Skates4Mates, a project bringing local and sanctuary-seeking communities together through the joy of roller skating.

Personal stories continue at the King Richard III Visitor Centre with The Luckiest Girl Alive, an intimate retelling of human rights activist Hoda Ali's survival and recovery from FGM. Through puppetry and storytelling, audiences are invited into Hoda's journey from survival to recovery and hope, and her determination to ensure other girls do not experience the same.

The festival will create opportunities to encounter art in unexpected places, with dance taking centre stage at Highcross Shopping Centre. Audiences can stumble upon live performances including Mughal Miniatures: The Awakening, a vibrant, family-friendly work inspired by traditional Indian and Persian miniature painting, and NADI (नदी), a new Kathak-contemporary performance exploring sacred rivers, climate grief and resilience.

The Hideout by Hikapee Theatre combines circus, parkour and storytelling to explore the highs and lows of making a new friend to Highfields Centre.

Newly commissioned installation CARE / REST / PLAY by artist Jasmine Smail invites children and families to explore three sculptures inspired by the past and present role of telephone boxes in connecting communities. Installed across Haymarket Shopping Centre, Leicester Central Library and Leicester Royal Infirmary, the work will bring part of the festival directly to children and families who may not otherwise be able to experience the wider programme.

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_Originally reported by [BroadwayWorld](https://www.broadwayworld.com/uk-regional/article/Journeys-Festival-International-to-Return-to-Leicester-20260915)._