Independent resale ticket affiliate. Not affiliated with, endorsed by, or an agent of any venue, team, performer, or box office. Prices shown include all fees.

Broadway

ISCP Opens “The Skin of the Earth Is Seamless” Exhibition

The International Studio & Curatorial Program in Brooklyn showcases eight artists exploring borders through abstraction, material transformation, and memory in its new group exhibition, "The Skin of the Earth Is Seamless."

·Sep 30, 2026·via BroadwayWorld
ISCP Opens “The Skin of the Earth Is Seamless” Exhibition

Breaking news to your phone. US mobile only. No password required.

Broadway + NYC

Broadway

Off-Broadway

Off-Off Broadway

Cabaret

Dance

Opera

Classical Music

West End / UK

International

Canada

Australia / New Zealand

Europe

Asia

Latin America

Africa / Middle East

Entertainment

Ctrl + K to open · Esc to close

Eight artists including Seba Calfuqueo and Magdalena Ciemierkiewicz explore displacement and repair across borders at 1040 Metropolitan Avenue in Brooklyn.

Most Popular

Get all the top news & discounts for TV & beyond. No password required.

The International Studio & Curatorial Program (ISCP) presents The Skin of the Earth Is Seamless , a group exhibition bringing together eight artists—Seba Calfuqueo, Magdalena Ciemierkiewicz, Verónica Gaona, Gi (Ginny) Huo, Simon Liu, Brenda Mallory, Kara Springer, and Nardeen Srouji—who approach borders from distinct geographic, cultural, and historical positions. Rather than representing them primarily as geopolitical lines, the artists focus on what happens around and across them: what is interrupted, what endures, and what is transformed or remade.

The artists trace the effects of division through materials, landscapes, and memory. Shifting away from documentary modes, their works employ abstraction and material transformation—including fragmentation and acts of repair—to examine traces of displacement, extraction, and colonial violence. Borders become perceptible as objects are reassembled, images split and overlap, and fragile forms are stitched together. The Skin of the Earth Is Seamless takes its title from Gloria Anzaldúa's seminal book Borderlands/La Frontera: The New Mestiza (1987), where Anzaldúa's understanding of borderlands extends beyond geography to encompass cultural, linguistic, psychological, and spiritual experiences.

At a moment of intensified nationalism, forced displacement, and increasingly restrictive border regimes, the exhibition asks not only what borders divide, but what moves through them, endures despite them, and connects across them. The works consider repair not as the erasure of rupture but as an ongoing practice of adaptation and resistance.

Opening Reception: Tuesday, October 27, 6–8pm

Dates: October 27, 2026–February 12, 2027

Where: 1040 Metropolitan Avenue, Brooklyn

More information is available at iscp-nyc.org .

Prefer BroadwayWorld in Google Search?

Add us as a preferred source so our stories show up more often in Top Stories and Google’s AI answers — for you.

Nominate your favorite local productions and performers before the deadline on October 31, 2026.

LAST SEEN Episode Five to Premiere on Apple TV

Ryan Murphy Has Finished Writing a GLEE Reboot Script

Jessie J to headline St Paul's Cathedral benefit concert for Shelter

H.E.R. Puts Her Multi-Instrumental Skills to the Test on JENNIFER HUDSON SHOW

Also text me

When are you seeing ?

Get an Alert Each Time Rachel Stone Writes

BroadwayWorld TV

Breaking Broadway news and show discounts. No password required.

Breaking Broadway news on your phone. US mobile numbers only.

POPULAR

Sign up for announcements and exclusive discounts on tickets to your favorite shows!

© 2026 — Copyright Wisdom Digital Media , all rights reserved. Privacy Policy

Episode

_Originally reported by [BroadwayWorld](https://www.broadwayworld.com/bwwtv/article/Photos-THE-SKIN-OF-THE-EARTH-IS-SEAMLESS-Opens-at-ISCP-20260930)._

Source Attribution

This story is summarized from coverage by BroadwayWorld.

Read full story →

Comments

Sign in to join the conversation.

Loading comments…