Death of a Salesman
Arthur Miller's American tragedy in a Broadway revival starring Nathan Lane and Laurie Metcalf.
- Theatre
- Winter Garden Theatre
- 1634 Broadway, New York, NY 10019
- Opened
- April 9, 2026
- Run time
- 2h 50m
About Death of a Salesman
Arthur Miller's seminal American tragedy, *Death of a Salesman*, returns to Broadway in a new revival at the Winter Garden Theatre. This production brings to life the story of Willy Loman, an aging traveling salesman whose belief in the American Dream crumbles around him, leading to profound introspection and tragic consequences for himself and his family. Miller's 1949 Pulitzer Prize-winning play remains a foundational work of American theater, exploring themes of ambition, disillusionment, and the pursuit of success in a rapidly changing world. The revival features an acclaimed cast, with Nathan Lane taking on the iconic role of Willy Loman, and Laurie Metcalf portraying his devoted wife, Linda Loman. Both actors are celebrated for their extensive careers in theater, film, and television, bringing considerable talent and depth to these challenging roles.
The Winter Garden Theatre, located at 1634 Broadway, provides a historic and fitting venue for this powerful drama. Known for its grand architecture and rich theatrical history, the Winter Garden has hosted numerous legendary productions. *Death of a Salesman*'s themes of economic struggle and personal identity resonate deeply with contemporary audiences, making this revival particularly timely. The play delves into the complexities of family relationships, the pressures of capitalism, and the elusive nature of happiness, offering a poignant critique of societal values.
Audiences attending this Broadway revival can anticipate a faithful and impactful rendition of Miller's masterpiece. The production promises to maintain the emotional intensity and psychological realism that have made *Death of a Salesman* a classic. With a runtime of approximately 170 minutes, including an intermission, theatergoers will have ample time to immerse themselves in the Loman family's world and witness their escalating drama. The play's exploration of universal human struggles ensures its enduring relevance and its capacity to provoke thought and discussion long after the final curtain. This revival presents an opportunity to experience one of the most significant plays of the 20th century with a cast bringing fresh perspectives to its timeless narrative.
Seeing Death of a Salesman live
What attending this kind of production is like
Theatre rewards attention to the room. Sound carries differently, entrances and exits are part of the staging, and the audience's collective quiet is something a recording cannot reproduce.
Seat position changes what you notice rather than only how well you see. Front-of-orchestra seats give you faces and detail but a steep angle on staging; further back and one level up you gain the full picture and choreography, which many productions are designed around.
The performance you choose matters too. Weeknight, matinee and weekend performances tend to draw different audiences, and casting can vary between performances in ways published by the production rather than by us.
Timing is unforgiving in theatre. Curtain times are firm, latecomers are seated at the house's discretion, and interval length is set by the production — so build the evening around the published start time.
Last reviewed 2026-09-08
Death of a Salesman ticket buying guide
Understanding theatre seating language before you compare offers
Learn the vocabulary of the house you are attending. Orchestra or stalls seating sits at stage level; mezzanine, dress circle or balcony levels rise behind or above it. The same words describe different geometry in different theatres, so read the specific venue's layout.
Sightlines matter as much as distance. Overhangs, side angles and safety rails affect what you can see, and a well-placed seat further back often beats a cheap seat at an extreme angle.
Choose the performance deliberately. Matinees, weeknights and weekends differ in atmosphere and availability, and any casting information should come from the production itself.
Compare all-in totals for the exact number of seats you need, and check whether the seats you are considering are genuinely adjacent.
Last reviewed 2026-09-08
Death of a Salesman ticket questions
Where is Death of a Salesman currently performing?
This page shows only venue and city relationships we have verified and stored. It does not assert a current production location or run, and it does not publish performance schedules.
What is the difference between orchestra, mezzanine and balcony?
Orchestra (or stalls) seating is at stage level, mezzanine or dress circle sits above and behind it, and balcony levels are higher still. Each trades proximity for a fuller view of the staging, and the exact geometry is set by the theatre.
Will performance dates appear here?
Only when they are verified. Until then the inventory section stays empty rather than showing dates we cannot confirm.
Last reviewed 2026-09-08
Upcoming performances & tickets
Verified ticket inventory will appear here when available.
Frequently asked questions
- What is *Death of a Salesman* about?
- *Death of a Salesman* tells the story of Willy Loman, an aging traveling salesman whose life unravels as he confronts his professional failures and personal disillusionment, impacting his family.
- Where is *Death of a Salesman* playing?
- *Death of a Salesman* is playing at the Winter Garden Theatre, located at 1634 Broadway, New York, NY 10019.
- Who wrote *Death of a Salesman*?
- *Death of a Salesman* was written by the acclaimed American playwright Arthur Miller.
- How long is *Death of a Salesman*?
- The runtime for *Death of a Salesman* is 170 minutes, which includes an intermission.
- Who is in the cast of *Death of a Salesman*?
- This Broadway revival of *Death of a Salesman* stars Nathan Lane as Willy Loman and Laurie Metcalf as Linda Loman.
- Is *Death of a Salesman* family-friendly?
- *Death of a Salesman* is a mature drama exploring serious themes, making it generally more suitable for adult audiences and older teenagers.